Whirligig at Amazon
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Likely you have smiled a heap of times at whirligigs as you drove past them in someone’s yard — without knowing you were admiring a 10,000-year-old folk-art form. Hitch weather vanes to windmills and you get whirligigs – an ancient device whose only aim is to delight onlookers. Though once widely popular, whirligigs have declined in popularity except for those young in heart. A few local fans keep the historic appliances alive. Every civilization dependent on the weather for farming or seafaring devised the simple pointer that suggests wind direction. Representations are found in Samaria, Egypt and China. We still rely on them. Windmills – canted blades attached to a hub – turn wheels that grind grain, pump water or generate electricity – are almost as old as weather vanes. The talent that melded weather vanes and windmills is long forgotten, but not his/her legacy. Medieval European tapestries show children playing with little whirligigs of a hobbyhorse on one end of a stick and 4-bladed propellers at the other end. This was a time of chivalry and knights on horses wielding lances and swords to rescue maidens in distress. The 1440 edition of the Oxford English Dictionary specified “whyrlegyge” as “any spinning toy.” In the late 1700s of colonial America, humane figures waving their arms — keeping swords, shovels, pitchforks and other implements – were popular. When George Washington rode home to Mt. Vernon after the Revolutionary War he brought in his saddlebags “whilagigs” for Martha’s grandchildren. Washington Irving in his 1820 “Legend of Sleepy Hollow” wrote of “a little wooden warrior who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn.” In the late 1800s, general whirligigs portrayed Indians paddling canoes, birds with flailing wings, men sawing wood and women scrubbing clothes in a washtub. First settlers on the south shore of the Peace River roadstead of Charlotte Harbor was Fred and Anna Howard in 1875. The following year they were joined by Fred’s brother Jarvis and his family. Jarvis held a diary and related their firstborn Christmas together in 1876. Among the gifts counterchanged was a “whirligig” from Fred and Anna to the Jarvis family. Size and design of the contraption was not stated. Whirligigs experienced a renaissance for the duration of the Great Depression of the 1930s. Men out or work could make whirligigs with scrap lumber and trade them from their front yards for one dollar. This would feed a family of four for a day. (I know.) Interestingly, whirligigs sold well. They were comparatively inexpensive and boosted spirits when times were grim. A bestloved toy for the duration of the depression was the pin-wheel — basic whirligig. Dime stores sold them for ten cents, of course. They were constructed of a square of colorful celluloid – the firstborn plastic – the points of which were split, bent together and nailed to a stick. You devised wind to spun the whirligig by running or keeping it out a car window. A beautiful, triple-tier pin-wheel whirligig –with multi-colored, counter-rotating vanes — grace a yard throughout the street from the Punta Gorda Isles Yacht Club. The most spectacular whirligig in southwest Florida is when it comes to ten feet tall in Punta Gorda. It spins merrily at the western end of Olympia Avenue near the Visual Arts Center and Fishermen’s Village. Its vertical and horizontal blades of polished and crimson stainless steel was invented — and is maintained — by Stephen Schwarz, a fellow member of the Visual Arts Center. He has various more such works of art at his home. Traditional whirligigs are crafted by hobbyists like Gerry Philbrick of Punta Gorda Isles. He fancies established designs such as flying cardinals and little men sawing wood energetically in a breeze. Many history and art museums feature whirligig collections. Private craftsmen give rise to whirligig “gardens” for fun and profit. Roadside craft marketers offer a wide assortment of whirligigs for sale. The best marketer in these elements is Chris “Kringle” Williams the “Toy Maker” at Fort Ogden on S.R. 17 among Punta Gorda and Arcadia. His “Santa’s workshop” is set back from the highway but effortlessly visible. He and his wife Delores preside over a salesroom of thousands of handcrafted novelties in a historic general-store building. Craftsmen – or craftswomen – will find a book by Anders Lunde interesting and instructive. “Whirligigs Design & Construction” (Chilton Book Company, Radnor, Pa.) may be ordered from any bookstore. Lunde is credited with reviving the whirligig a quarter-century ago. A well-known painter and wood sculptor, Lunde won First Prize in a sculpture at the1981 Durham (North Carolina) Art Guild Juried Exhibition. He received two awards for his whirligigs at the 1983 Juried Exhibition of North Carolina Crafts. His book holds easy-to-follow instructions and patterns for developing whirligigs – from pinwheels to elaborate groupings of assorted animated figures. CAUTION: exposure to whirligigs could entrance you. August 17, 2000 Most helpful customer reviews 9 of 9 people found the following review helpful. 12 of 13 people found the following review helpful. Brent makes his whirligigs much like Paul Fleischman constructs his heartwarming novel. The story moves seamlessly back & forth between Brent’s journey to piece his life together, & glimpses into the lives of the fragile people who encounter each whirligig. Their stories in each simple chapter build a satisfying & uplifting whole, just like Brent’s creations. This tale of redemption & restoration is a thing of beauty that will bring any reader joy. 8 of 8 people found the following review helpful. Brent Bishop’s family has moved to Chicago because of his father’s new job. With his father’s increase in salary, Brent is able to go to a private school for the first time. But his new high school does not welcome Brent like he had hoped for. He found himself playing the all-to-familiar game of tyring to fit in with the popular crowd. One night at a party, Brent finds that fitting in with the popular crowd leaves him with the feeling of being rejected. Brent’s feelings of rejection take him on a journey which meets a tragic fate.
It’s through this tragedy that Brent is forced to find meaning in life. Brent finds forgiveness and a new hope for the future by traveling to the four corners of the country experimenting with his new skills in carpentry.
Sometimes some of the most important lessons are learned through the expense of a tragedy. Paul Fleischman gives us a chance to reflect on how our decisions in life can change us in a split second. But even when we make bad decisions, there is always a lesson to be learned and our lives can more forward. Fleischman also shows us the harsh reality that our decisions not only effect us as an individual but the decision effects the people around us.
This book is great for junior high students who are looking forward to going to high school. It is also good for high school students who are beginning to make life-changing decisions. Plus, there is a lesson on forgiveness for adults. A book is always good when it can target such a varied audience. |
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