Eragon

The fantasy adventure “Eragon,” based on book one of Christopher Paolini’s trilogy with regards to a young Dragon Rider, has been drawing criticism for borrowing ideas from the “Harry Potter” series (Hagrid’s dragon eggs and baby dragons), “Star Wars” series (Luke’s uncle killed by evil empire), and most notably “The Lord of the Rings” trilogy (darkly magical advisor, one young man ought to make a journey, etc). Another factor that “Eragon” has in mutual with these other films is it is use of dream sequences – in this case untrue dreams sent by an evil sorcerer working for a corrupt king.

In the movie, a teenaged farm boy named Eragon (Edward Speleers) finds what appears to be the last dragon egg. After secretly raising the animal, Eragon reluctantly becomes a Dragon Rider in order to right galore of the wrongs taking place in the kingdom of Alagaesia. In an earlier era, dragons and their riders soared through the skies keeping peace all over the land until disaster brought with regards to the apparent extinction of the fire-breathing beasts.

In addition to keeping a low profile for his own shelter and that of Saphira (his dragon), Eragon struggles with other problems: when he was young his mother fled with no explanation; the uncle who raised him was murdered, in spite of his status as a Dragon Rider he receives little or no respect because of his young age; and he has disturbing dreams in regards to a pretty elf woman (Sienna Guillory as Arya) who is suffering in a prison and needs his help.

Each dream provides more selective information when it comes to her identity, situation, and location. Eragon has no way of knowing that the dreams are not authentic, but are being sent to him telepathically by the darkly magical Durza the Shade (Robert Carlyle) who imprisoned Arya and hopes to set a trap for the young Dragon Rider.

In accordance to scientific thought, most comedies and dramas attribute the source of dreams to the unconscious mind of the dreamer, but the fantasy, science fiction, and horror genres rely closely completely on the supernatural, pre-scientific conception of dreams originating from an outside evil source. Take Harry Potter’s recurring dreams of Lord Valdemort and Anakin Skywalker’s recurring dreams of his mother’s death – all provided supernaturally from origins outside themselves.

As with Harry and Anakin, Eragon’s dreams propel him towards his destiny. This fate is unknown to the dreamers, but is understood by older, wiser, more magical beings. In addition, as “Eragon” conductor Stefen Fangmeier no doubt realized, if carried out successfully, dream sequences are an magnificent means of supplying background selective information and moving the story forward without bogging things down with lengthy explanations.

Copyright 2007 Leslie Halpern

Eragon Picture

Eragon Image

Eragon Photo

Eragon Pic

Eragon Pic

Eragon Image